Künstler |
Jean-Baptiste Camille Corot
(1796–1875) |
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Alternative Namen |
Jean-Baptiste Camille Corot, Camille Corot |
Beschreibung |
französischer Maler, Zeichner, Druckgrafiker und Lithograf |
Geburts-/Todesdatum |
16. Juli 1796 / 17. Juli 1796 |
22. Februar 1875 / 28. Februar 1875 |
Geburts-/Todesort |
Paris |
Ville-d’Avray |
Wirkungsstätte |
Paris, Barbizon, Italien (1820-1829), Dieppe (1822), Honfleur (1829), Trouville-sur-Mer (1829-1830), Rotterdam (1854), Den Haag (1854), Amsterdam (1854), Dordrecht (1854), Scheveningen (1854), Ville-d’Avray |
Normdatei |
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artist QS:P170,Q148475 |
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Provenienz |
Breysse, Paris, by 1875.[1] Jean-Baptiste Faure [1830-1914], Paris; (his sale, Hôtel Drouot, 29 April 1878, no. 15). Jules Paton, Paris, by 1884.[2] Acquired 1906 by (Boussod Valadon et Cie., successeur de Goupil et. Cie, Paris); sold 1908 to Josse et Gaston Bernheim;[3] in the private collection of Bernheim-Jeune, Paris, by 1909; purchased June 1931 by Chester Dale [1883-1962], New York;[4] bequest 1963 to NGA.
[1] Lent by Breysse to Exposition de l'oeuvre de Corot, Ecole des Beaux-Arts, Paris, 1875, no. 52, as Etude de femme.
[2] According to Chester Dale papers in NGA curatorial files. The painting does not appear in the only recorded sale of the Paton collection, held 24 April 1883.
[3] Goupil et. Cie/Boussod Valadon et. Cie Stock Book no. 15, p. 165, no. 28865, Getty Research Institute.
[4] Lent by Bernheim-Jeune to Rétrospective de figures de Corot, Salon d'Autumne, Paris, 1909, no. 11, as l'Italienne Agostina, according to Chester Dale papers in NGA curatorial files. A photograph of this painting is included among the albums from the gallery of Etienne Bignou now at the Documentation, Musée d'Orsay, Paris (copies in NGA curatorial files), which suggests that Bignou was in possession of the picture at one time, perhaps in conjunction with Bernheim-Jeune.
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