Benutzer:MYR67/Artikelwerkstatt Charles Weidner
Charles Weidner, (* 1866 - † 1940), war ein US-amerikanischer Fotograf und Verleger für Ansichtspostkarten (Auto-Chrome).
Wurde in Deutschland geboren, möglicherweise als Karl Weidner.
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l866 - l940 (Credits Liselotte Glozer, David Parry and the grandson of CHARLES WEIDNER (Robert Weidner)
CHARLES WEIDNER: A San Francisco photographer and postcard publisher, was born in Germany in 1866 and came to the United States around l880. He maintained a photographic studio in San Francisco for many years and began publishing numbered postcards under the imprint of Goeggel & Weidner in 1900. The name Goeggel was dropped from the cards after number 111, around 1903. However, because Weidner printed his own cards to fill demand, identical cards appear with and without the Goeggel imprint, with either divided or undivided backs. Weidner published up to 694 numbered cards - the highest number we have located -as well as unnumbered lithographs; a 58 card set of the Panama Pacific International Exposition printed by the Albertype Co. in 1915; and numerous real photo cards, including a set commemorating the visit of the Pacific Fleet to San Francisco, and other locally historic events. Most of his numbered cards were chromolithographs, but he also released black and whites, and several cyanid and sepia cards, as well as several striking embossed (bas relief) cards. Weidner also sold his photographs to other postcard publishers, including Newman, Pacific Novelty and Rieder.
These can sometimes be identified by a cut line that reads "photo only copyright by Charles Weidner."
In addition, his photographs appeared in contemporary books, including Gertrude Atherton's "California, An Intimate History" and at least two books on the San Francisco earthquake of 1906, where the photos are not credited, but easily recognized because Weidner himself had published the same images as postcards. In contradiction to other postcard publishers, Weidner used only his own photographs, and he had them printed by the firms of Louis Glaser in Leipzig and Stengel & Co. in Dresden. Glaser also lithographed many of the Detroit Company's postcards and there is - especially in a series of Yosemite cards - a great visual similarity between Detroit and Weidner cards. Like the late Herb Caen, Charles Weidner could have been called "Mr. San Francisco." He photographed the city with a loving eye: the downtown business district, Golden Gate Park (the caroussel, groups of listeners at outdoor concerts), hotels, and the picturesque side of Chinatown. The San Francisco views were followed by cards of the outlying districts: Berkeley and the University of California, as well as the now "yuppie" suburbs of Marin County, then dotted with small towns. Regular trips seem to have taken him farther afield: to the orchards of Santa Clara Valley (now known as Silicon Valley), to San Jose, the beaches of Santa Cruz, and wooded Yosemite. After returning to San Francisco he often repeated visits to previously photographed sites. Once he journeyed as far North as the Oregon border and another time he went to the Southland, where he took inthe Cawston Ostrich farm, Catalina Island, and other landmarks.
Weidner's pattern of traveling, returning to the city, and then journeying outwards again was only interrupted by a series of cards of the San Francisco earthquake of 1906, starting with number 202 and ending with the number 250. If viewed together, they give the impression of a man relentlessly driven to bequeath to the future a record of the ruined city he had depicted so glowingly before. The earthquake series is followed by 5 chromolitho cards titled: "One year after the fire" and a black and white card titled "Watch San Francisco Grow: Ruins 1906, 1 Year Later, Today" the images arranged like a "Gruss Aus" card. With the outbreak of World War One, chromolitho postcards could no longer be printed in Germany and Weidner tried himself in black and white cards. But the golden age of postcard collecting had come to an end, and with it his publishing career. In his later years, Weidner was a staff photographer at the San Francisco Examiner, Sunset Magazine, and Camera Craft. He died in 1940.
REF: Research on Weidner first published by Liselotte Glozer
Source: http://www.thepostcard.com/walt/pub/weidner/chklst/weidbio.htm
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Charles Weidner 1903-1940 San Francisco, CA
Wiedner had been a commercial photographer since the 1890’s. He first entered the postcard business with the investor William Goeggel in 1903. Together they published 111 numbered cards as Goeggel & Weidner, but by 1904 Weidner was issuing cards under his name alone. Because of reprints cards with the same images can be found under both names. Weidner became an important publisher producing almost 700 postcards in a wide variety of methods including tinted halftones under the trade name Auto-Chrome. There are also Wiedner cards in tinted collotype that were printed in Germany by Louis Glazer, and their set of Panama-Pacific Expo cards were printed by the Albertype Company. Cyanotypes and real photo postcards were also produced. With the exception of a few black & white cards, his postcard publishing ended during World War One with the closing of the German print houses. Weidner continued to work as a staff photographer for newspapers and magazines.