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Joe Lutcher Diskografie[Bearbeiten | Quelltext bearbeiten]

Singles[Bearbeiten | Quelltext bearbeiten]

  • 1947 – No-Name Boogie
  • 1947 – Sunday Blues / Strato-Cruiser, Capitol Americana 40052 (als Joe Lutcher’s Jump Band)
  • 1948 – Rockin’ Boogie / Blues For Sale , Specialty 303 (mit den Society Cats)
  • 1948 – Traffic Song / Society Boogie, Specialty 304 (mit den Society Cats)
  • 1948 – Bagdad Boogie / Toodle-Oo, Capitol 15170 (als Joe Lutcher’s Jump Band)
  • 1948 – Strato Crusher / XXX, Capitol 40052
  • 1948 – Shuffle Woogie / Bebop Blues, Capitol 40071 (als Joe Lutcher’s Jump Band)
  • 1949 – Mardi Grass / Ojai, Modern 672
  • 1950 – I’m Cutting Out / Give Me My Hadacol, Peacock 1562
  • London
  • Masters Music
  • Jordan

Alben[Bearbeiten | Quelltext bearbeiten]

Jordan

Little Richard[Bearbeiten | Quelltext bearbeiten]

  • Whitburn, Joel : Top Pop Singles 1955-1993. Menomonee Falls, Wisconsin : Record Research Ltd., 1994
  • Whitburn, Joel : Top Pop Albums 1955-1996. Menomonee Falls, Wisconsin : Record Research Ltd., 1996

Songs

  1. Kansas City (Lied)
  2. Ready Teddy
  3. Groovy Little Suzie
  4. Blueberry Hill
  5. Memories Are Made of This
  6. Tutti Frutti (Lied)
  7. Whole Lotta Shakin’ Goin’ On
  8. Only You (And You Alone)
  9. Money Honey
  10. Lawdy Miss Clawdy
  11. Money (That’s What I Want)
  12. Baby What You Want Me to Do
  13. Joy to the World
  14. Brown Sugar
  15. Dancing in the Street
  16. I’m So Lonesome I Could Cry
  17. When the Saints Go Marching In
  18. She’s Got It
  19. Long Tall Sally
  20. I Saw Her Standing There
  21. Crying in the Chapel
  22. Heeby-Jeebies
  23. Hound Dog
  24. I’m Just a Lonely Guy
  25. Send Me Some Lovin’

Fehlende Literatur[Bearbeiten | Quelltext bearbeiten]

  • Rick Coleman: Little Richard – Make a Joyful Noise!, Wavelenght, November 1984, 17.

Hurry Sundown[Bearbeiten | Quelltext bearbeiten]

Bertha Lou[Bearbeiten | Quelltext bearbeiten]

Zeitleiste[Bearbeiten | Quelltext bearbeiten]

  • 1956-03-XX John Marascalco (JM) kommt nach Kalifornien
  • 1957 Herbst Johnny Burnette kommt nach Kalifornien
  • 1957-10-28 Copyright Bertha Lou (BL) angemeldet durch JM.
  • 1957-11-2X Aufnahme BL
  • 1957-11-20 Aufnahme BL von Clint Miller (CM)
  • 1957-12-09 Veröffentlichung BL von Johnny Faire (JF)
  • 1957-12-16 Werbung von ABC für BL von CM im Billboard (BB): "Latest Release"
  • 1957-12-30 Erwähnung BL von CM als "coming up strong" im BB
  • 1958-01-18 Charteintritt BL in der Version von CM
  • 1962-06-30 Erwähnung Snacky Poo (SP) im BB

Versionen[Bearbeiten | Quelltext bearbeiten]

Offene Punkte ohne gescheite Quelle[Bearbeiten | Quelltext bearbeiten]

  • Ronny Weiser per Mail über Cee-Jam #16: I just went over to his house and told him I would guarantee buying 500 if he reissued it. (...) p on Cee-Jam #16. (...) edition of 500-1000 copies. (...) 1969 or 1970
  • Steve Propes per Facebok-Nachricht über Marascalco: He hated Kenny Babcock, said he kept ahold of Bertha Lou just so he could press it.
  • Ich über Rendzvous 124: the first Rendezvous 124 still credited to Larry Bright. It has Mardon Music as publisher. The second edition by Pete Roberts two months later has Marascalco's publishing company Robin Hood and "House of Fortune", the company of Marascalco's buddy George Motola.
  • Limits of Language by Mikael Parkvall
  • Craig per Ebay-Massage über die Nachausgabe von Surf 5019: THIS WAS RE ISSUED BY A FELLOW NAMED JOHN GRECO IN NYC BACK IN THE DAY(IN THE LATE 70'S THE FEDS CONFICATED ALL OF HIS WAREHOUSE...OUCH)...THE REISSUE HAS RE IN THE DEAD WAX...NOT SURE IF HE MADE ANY OTHER SURF 45'S

Surf 5019: Spuren von Bertha Lou[Bearbeiten | Quelltext bearbeiten]

    • Auf Dorseys version ist bei der zweiten Strophe eine leise Stimme im Hintergrund zu hören
    • Auf Donnies Version nicht.
    • Keith Babcock: "keine Instrumentalspur"
    • "Dorseys Stimme wurde entfernt"
    • Meine These:
      • Track 1: Instrumente mit Johnny an Vocals auf einer Spur (Demo)
      • Track 2: Entfernung der Stimme (Instrumental)
      • Track 3: Dorseys Gesangsspur (Dorsey)
      • Track 4: Donnies Gesangsspur (Donnie)
      • Ausgabe 5019 Dorsey: Instrumental + Dorsey
      • Ausgabe 5019 Donnie: Instrumental + Donnie

Kontakte[Bearbeiten | Quelltext bearbeiten]

Vor 2011 Verstorben

2011 angeschrieben ohne Antwort

Angeschrieben mit Antwort

Noch nicht angeschrieben

Kompilationen[Bearbeiten | Quelltext bearbeiten]

Dorsey Burnette[Bearbeiten | Quelltext bearbeiten]

  • 198? - LP Grab This Dance Vol. 2
  • 20?? - 2CD The Hollywood HepCats, Highnote Records

Johnny Faire[Bearbeiten | Quelltext bearbeiten]

  • 19?? - LP Like Nothing Your Ears Have Heard Before! Volume 1,
  • 19?? - CD Rockabilly Gold. Volume Ten
  • 19?? - CD Ultra Rare Rockabilly's. Volume 7
  • 2000 - CD A Ball Tonight, Buffalo Bop

Clint Miller[Bearbeiten | Quelltext bearbeiten]

  • 1990 - CD Rockabilly Classics, MCA
  • 2009 - 2CD Virgina Rocks, JSP
  • 2013 - 2CD Hit the Road Jack. The ABC-Paramount Story, One Day Music

Charlena[Bearbeiten | Quelltext bearbeiten]

Versionen[Bearbeiten | Quelltext bearbeiten]

  • Rockin' Gibraltars
  • Cliff Ellis and the Villagers

Kontakte[Bearbeiten | Quelltext bearbeiten]

  • Sharleena Romero
  • Dyvvine1, Tochter von Robert Rodriguez
  • Robert Rodriguez
  • Tommy Mann, Sänger der K-Otics

Marascalco[Bearbeiten | Quelltext bearbeiten]

Charts[Bearbeiten | Quelltext bearbeiten]

Titel Interpret Scan Charteintritt US Pop US Country US R&B UK DE Anmerkung
Rip It Up Little Richard 30.06.1956 17BS
(18 Wo.) 		– 1
(17 Wo.) 		30
(1 Wo.) 		– US Top 100: Platz 27 (18 Wo.)
Ready Teddy Little Richard 30.06.1956 44
(8 Wo.) 		– 8
(8 Wo.) 		– –
Rip It Up Bill Haley and his Comets 11.08.1956 25BS
(14 Wo.) 		– – 4
(18 Wo.) 		30
(4 Wo.) 		US Top 100: Platz 30 (14 Wo.)
She’s Got It Little Richard 27.10.1956 – – 9
(5 Wo.) 		15
(9 Wo.) 		–
Heeby-Jeebies Little Richard 03.11.1956 – – 7
(3 Wo.) 		– –
Goodnight My Love (Pleasant Dreams) Jesse Belvin 08.12.1956 – – 7
(3 Wo.) 		– –
Goodnight My Love, Pleasant Dreams The McGuire Sisters 08.12.1956 32
(9 Wo.) 		– – – –
Rip It Up Elvis Presley 08.03.1957 – – – 27
(1 Wo.) 		–
Send Me Some Lovin’ Little Richard 06.04.1957 54
(12 Wo.) 		– 3
(11 Wo.) 		– – Rückseite von Lucille
Bertha Lou Clint Miller 18.01.1958 79
(7 Wo.) 		– – – – mit Don Costa (Orchester)
Good Golly, Miss Molly Little Richard 17.02.1958 10
(15 Wo.) 		– 4
(8 Wo.) 		8
(9 Wo.) 		– US Bestseller: Platz 13
Rock and Roll Hall of Fame; Platz 94 der Rolling-Stone-500
Be My Guest Fats Domino 26.10.1959 8
(14 Wo.) 		– 2
(14 Wo.) 		11
(12 Wo.) 		–
Goodnight My Love (Pleasant Dreams) Ray Peterson 16.11.1959 64
(6 Wo.) 		– – – –
Send Me Some Lovin’ Sam Cooke 26.01.1963 13
(9 Wo.) 		– 2
(10 Wo.) 		– – mit Horace Ott (Orchester)
Good Golly, Miss Molly Jerry Lee Lewis 14.03.1963 – – – 31
(6 Wo.) 		–
Goodnight My Love The Fleetwoods 01.06.1963 32
(11 Wo.) 		– – – –
Good Golly, Miss Molly The Swinging Blue Jeans 09.05.1964 43
(7 Wo.) 		– – 11
(10 Wo.) 		35
(8 Wo.)
Twelve Steps to Love Brian Poole & the Tremeloes 20.08.1964 – – – 32
(7 Wo.) 		– Titel des Originals: Ten Steps to Love
Goodnight My Love Ben E. King 08.01.1966 91
(3 Wo.) 		– – – –
Devil with a Blue Dress On & Good Golly, Miss Molly Mitch Ryder & the Detroit Wheels 08.10.1966 4
(16 Wo.) 		– – – – Medley; Rock and Roll Hall of Fame; Platz 428 der Rolling-Stone-500
Goodnight My Love Paul Anka 04.01.1969 27
(10 Wo.) 		– – – –
More Good Old Rock ’n’ Roll Dave Clark Five 07.11.1970 – – – 34
(6 Wo.) 		– Rock-’n’-Roll-Medley mit Auszug aus Good Golly, Miss Molly.
Send Me Some Lovin’ Hank Williams Jr. & Lois Johnson 01.04.1972 – 14
(14 Wo.) 		– – –
Good Golly, Miss Molly/Rip It Up Little Richard 02.07.1977 – – – 37
(4 Wo.) 		–
Goodnight My Love (Pleasant Dreams) Tavares 23.07.1977 – – 14
(11 Wo.) 		– –

That Mellow Saxophone[Bearbeiten | Quelltext bearbeiten]

Entstehung[Bearbeiten | Quelltext bearbeiten]

Stuart Colman beschrieb 2011 die Entstehung des : "Der Song wurde in New Orleans erdacht, als John und Roy sam Klavier zusammensaßen. Roy steuerte die Eingangszeile bei (...), John folgte."[1] 1955 nahm Montrell zwei Sessions für Speciatly unter eigenem Namen auf. Es begleiteten Lee Allen am Tenorsaxophon und Alvin Tyler am Baritonsaxophon. Edward Frank spielte Klavier, Frank Fields den Bass und Earl Palmer das Schlagzeug. Eigentlich war eine Aufnahme von Good Golly Miss Molly vorgesehen, das später durch Little Richard zum Hit wurde, die allerdings nicht rund zu bekommen war. Daher wurden aus der ersten Session Everytime I Hear that Mellow Saxophone zusammen mit Ooh Wow! für Specialty 583 ausgewählt. Die beiden anderen Titel der zweiten Session blieben unveröffentlicht.[2]

Versionen[Bearbeiten | Quelltext bearbeiten]

Quellen[Bearbeiten | Quelltext bearbeiten]

  • Billboard 29. Sept. 1956 - Roy Montrell
  • Billboard 13. Okt. 1956 - Ralph Materie

Ann und Johnny[Bearbeiten | Quelltext bearbeiten]

Sammlung[Bearbeiten | Quelltext bearbeiten]

Aufkommen der Husband-Theorie zu Enotris Johnson dokumentiert hier:

Jahr Autor Titel Zitat Anmerkung
1970 Joan Engels Joan Engels: First Rock Superstar Makes Blazing Comeback. In: Pottstown Mercury 5. Juni 1970, S. 16 By 14, he has already picked up an influential detractor: his father didn't like his style, showed him the door. “He wanted me to sing like Bing Crosby, but I wanted to sing rhythm and blues.” Richard was taken in by a local white woman, Ann Johnson, who still runs Ann's Tic-Toc Tavern on Macon's Broadway. She was later immortalized in his blues ballad “Miss Ann.”
1976 Langdon Winner Langdon Winner: Little Richard. In: Miller, Jim (Hrsg.): The Rolling Stone Illustrated History Of Rock&Roll. New York/NY: Rolling Stone Press / Random House 1976, S. 52 After Richard had been booted from his home, he went to live with a white couple, Ann and Johnny Johnson, who ran a Macon night spot, the Tick Tock Club. The Johnsons took care of him, put him back in school and let him perform in their club. To this day, Little Richard gives them credit for being second parents and for giving him a chance. The song "Miss Ann" is, according to Penniman, for and about Ann Johnson. bisher keine Antwort auf Mailanfrage Johnson vs. Howard
1983 Mike Clifford (Hrsg.) Mike Clifford (Hrsg.): The Harmony illustrated encyclopedia of rock, Harmony Books, 1983(1977), 4. Auflage, Pennsylvania State University, S. 132 Adopted by white Macon couple, Ann and Enotris Johnson. Both were to feature in his subsequent musical career, 'Miss Ann' in an intense bluesy song, and Enotris as co-writer of smash-hit Long Tall Sally.
1984 Charles White Charles White: The Life And Times Of Little Richard. The Authorised Biography. Omnibus Press, London, New York, Paris, Sydney, Copenhagen, Berlin, Madrid, Tokyo 2003 (1984) – s. W. T. Lhamon (1990)
1984 Timothy White Timothy White: Rock stars, Stewart, Tabori & Chang, New York, 1984, S. 52 ..his protectors were the white proprietors, Enotris "Johnny" Johnson and wife Ann. The couple sent him to school.
1990 W. T. Lhamon W. T. Lhamon Jr.: Deliberate Speed. The Origins of a Cultural Style in the American 1950s. Harvard University Press, Cambridge, London 2002 (1990), S. 88f If Richard left home at thirteen to live with the white club owners Ann and Johnny Johnson, as Langdon Winner reports, Charles White's biography confirms neither the move nor even their existence.(7).
(7) White says that he left the Johnsons out of the biography because Penniman asked him to, saying they were „not important in his life“ (phone conversation 11 July 1989)
1990 Dan Maley Dan Maley: Hometown pals recall rocker's excentric style. In: Winnipeg Free Press, 29. September 1990, S. 31 [Percy] Welch's band and Little Richard played all over Macon, at clubs like the Manhattan Club, the Elk's club, Club Fifteen. Sawyer's Lake and Ann's Tick-Tock Club. "We started to play down at Ann's Tick-Tock and (owner Ann Howard) was crazy about him." Welch said. "She wanted to take him home with her. Of course, he was bringing all those people into the place... Six nights a week it stayed packed from 6 o'clock to whenever they went home... He was singing Tutti Frutti right there." Howard, who now lives in a nursing home, said she first met Little Richard when he was washing dishes at a bus station down the street from her club on Broadway. "He would come after (the bus station) closed down to work for me," Howard said. "He would work in the kitchen and then he would go on stage and play for 45 minutes or an hour and then go back in the kitchen." She said Little Richard was openly gay and fit in well in her club, which she described as "the only real gay bar in Georgia. He wore makeup, jewelry, ear-bobs and all. Everybody could tell him downtown, because he dressed to the fashion and all. He had a navy blue cape with a gold lining," Howard said. "He played a guitar, a piano and a sax, and he would walk on the bar at night and blow his horn. Anything to add on his show. He was a good one." Howard said she has seen Little Richard on television recently and thinks he is as popular now as he ever was.
??? Eugene Chadbourne Eugene Chadbourne: Enotris Johnson. In: Allmusic. Enotris Johnson and his wife, Ann Johnson, devout white Seventh Day Adventists, adopted and raised a total of a dozen children, both black and white. One of these was Richard Penniman, who took on the stage name of Little Richard in the '50s. In the spring of 1956, this artist released one of the greatest rock & roll classics of all time, "Long Tall Sally." The rowdy selection is one of two songs from Little Richard's repertoire for which Johnson is listed as a co-writer; the other is "Jenny, Jenny," also a substantial hit for Mitch Ryder & the Detroit Wheels in the '60s. Religious zealots may wring their hands over the suspicion that Johnson, sometimes listed as a lyricist in connection with these songs, wrote sordid lyrics such as this famous passage: "I saw Uncle John talking to 'Long Tall Sally.' She saw me comin' and he ducked back in the alley." Yet Johnson's connection with these mystic rock goddesses, "Long Tall Sally" and "Jenny, Jenny," is simply an example of Little Richard's generosity in regard to the folks who raised him. It is never the case of the singer not the song when it comes to gift credits: the right song can result in an endless cascade of royalties, with any and all singers lining up to sing it. Johnson winds up with one of the longest sets of discographical credits known to mankind from these two songs alone, establishing a niche in the roots repertoire of the Beatles as well as his adopted son. Mail von Eugene Chadbourne nach Anfrage zu seinen Quellen: ...thanks for your interesting letter. Unfortunately I have not been working for AMG for a few years and did all of that biographical work under very tight time pressures, I always feel sad I remember so little of it but there was nothing special about references, just what i found on internet and various books on music. cheers doc chad.
2002 Joe S. Harrington Joe S. Harrington: Sonic Cool: The Life & Death of Rock 'n' Roll. Biographies and Commentary, Hal Leonard Corporation, 2002, S. 50 The turning point came when a white club owner and his wife adopted Richard. Before long, the boy began to perform at the Tick Tock Club. a Macon hot spot owned by the white copule, Johnny and Ann Johnson. Richards till credits the Johnsons with being the only true "family" he ever had and claims he wrote "Miss Ann" about Ann Johnson. After reading his autobiography it's easy to see why - he apparently lusted after her big country bosoms!
2007 Phillip Ramati Phillip Ramati: Little Richard benefactor dies at 82. In: The Macon Telegraph (Georgia), January 18, 2007 The woman who helped give rock legend Little Richard one of his earliest breaks will be buried today in Dodge County.

Ann Howard, 82, was the owner of Ann's Tick-Tock Club and gave a young Little Richard the opportunity to perform in her Macon nightclub as well as a place to stay in the mid-1950’s. "She allowed Little Richard to do what he did," said Joseph Johnson, curator at the Georgia Music Hall of Fame. "She was almost like a second mama to him." Howard, who died Tuesday after a prolonged illness, had been living at a retirement home for the past 27 years, said her brother, Joe Fellows of Byron. "She was always friendly with people," Fellows said. "She tried to help folks." In a telephone interview Wednesday, Little Richard, whose real name is Richard Penniman, recalled Howard and her late husband, Johnny, with fond memories. "She was a good lady," he said. "When racism was real strong down there, she was always real nice. Her husband was a good man, and she was a good woman who opened the door for a lot of black people." Considered to be Macon's first openly gay bar, Ann's Tick-Tock Club was located at 408 Martin Luther King Blvd. That's the site of the current Tic Toc Room, which has no affiliation with the earlier nightclub that closed many years ago. In the early 1950's, Little Richard was washing dishes and cleaning at Macon's Greyhound bus station, trying to make ends meet. "He would come after (the bus station) closed down to work for me,"Howard told The Telegraph in a 1990 interview. "He would work in the kitchen, and then he would go on stage and play for 45 minutes or an hour and then go back in the kitchen." In that same interview, Little Richard's one-time manager, Percy Welch, recalled the singer's relationship with Howard. "We started playing at Ann's Tick-Tock, and (Howard) was crazy about him," Welch said in that interview. "She wanted to bring him home with her. Of course, he was bringing all these people into the place. ... Six nights a week it was packed from 6 o'clock to whenever they went home. ... He was singing 'Tutti Frutti' right there." Howard is survived by her brother and three sisters, Sallie Cox and Sarah Ashley of Macon, and Barbara Dennis of North Augusta, S.C. She had no children. Her funeral will be at 2 p.m. today in the Pleasant Olive Cemetery in Chester. Richard of course recorded Miss Ann more than once and has performed it often over the last 50 years.

Facebook-Nachricht von Phillip Ramati nach Anfrage zu Johnson vs. Howard: I'll be honest, it was 7 years ago, and I can't remember the details of the story. (...) Our online archives only go back to 1994. If I referenced something from before then, it would have been a paper copy of the story. (...) Other than Google search, I'm not sure where else it would be online. I don't have the time to go through our print archives. (...) Good luck.
2008 Paul MacPhail Paul MacPhail: Little Richard: The Originator of Rock. Selbstverlag, 2008. A white couple, Ann and Johnny Johnson, who ran the Tick Tock, a Macon nightclub, had pity on him and he spent a lot of time with them. The Johnson's cared for him and let him play at their club and they put him back in school. He gave them credit for being his second parents and giving him a chance. A future hit song "Miss Ann" was for and about Ann Johnson.
2009 David Kirby David Kirby: Little Richard. The Birth of Rock ’n’ Roll. 1. Auflage. Continuum, New York 2009, S. 82 f. In an e-mail to me about Little Richard [Pee-Wee] Clark writes: "I knew him... as an entertainer when he was at the Tic Toc restaurant (sic) on Broadway in Macon. (...)" Little Richard's position on the Macon social scale was further complicated by talk about liaison that seems unlikely, in retrospect, though any relationship between a flomboyant performer and a lady nightclub owner whom some might have thought too big for her britches would have generated gossip. Clark writes: "I do know there was a big stink about him and 'Ann,' the lady that owned the Tic Toc. Many people were talking about he and she being... how shall I put it...'too close.'" Opened in 1951, Ann's Tick-Tock Club was a rare venue in that it was one of the first truly integrated gathering places of any kind in Macon. This may have something to do with the great leveler of humanity, the military. There was numerous bases nearby, and when our fighting men hopped out of those uniforms and escaped from their by-the-book routine, it stands to reason that at least some ot them were going to head for a place where all were welcome regardless of race or sexual orientation. And if there was a joint in town where gender-bending and race-mixing were allowed and maybe even encouraged, the Tick-Tock was it. Little Richard even used the name of Ann Howard, th owner, in his song "Miss Ann." The Tick-Tock closed as a nightclub in 1975 and the building deteriorated for about a quarter century. In 2000 the building was purchased by a Connecticut restauanteur and gutted; an upscale restaurans called the Tic Toc Room now occupies the space where a more rough-and-ready venue once stood.
2010 Steven Otfinoski Steven Otfinoski: African Americans in the Performing Arts. A to Z of African Americans, Infobase Publishing, 2010, S. 144 Another part of Little Richard was his homosexuality, which exhibited itself at an early age. His family frowned on his sexual orientation as well as the rhythm and blues (R & B) he liked and threw him out of the house at age 13. He eventually was taken in by a white couple, Ann and Johnny Johnson, who run a local night-spot, the Tick Tock Club. The Johnsons took care of Richard and let him perform his R & B music in the club. He was forever grateful to the family and wrote the song "Miss Ann" (1957) in Ann Johnson's honor.
2010 Jack Johnson Ann Grace Fellows Howard (1924-2007) In: Find A Grave Birth: Oct. 12, 1924 Dodge County Georgia, USA

Death: Jan. 16, 2007 Macon Bibb County Georgia, USA

One of thirteen children of Mattie Lou Darsey and Lewis Milton Fellows. She grew up in and around Dodge and Laurens County, Georgia with her siblings: Rufus, Blanton C., Dorine, Kathy Lou, Laverne, Sallie, Roger, Robbie Faye, Barbara, Sara Lucille, Billy, and Joe. She married Johnny Howard and in 1951, opened a nightclub, Ann's Tic Toc, in Macon, Georgia. Among the notable entertainers to perform on her stage in the 1950's and 1960's were Little Richard, Otis Redding, and James Brown. Through her connections with them and other nightclub owners, she knew a host of entertainers, like Aretha Franklin. She was a warm, caring, and generous person and was instrumental in giving Little Richard his start. She hired him to sing and to work in the kitchen and reportedly took him in to stay at her home. His song, Miss Ann, was dedicated to her and his song Long Tall Sally was dedicated to her sister, Sallie Cox. The Tic Toc was Macon's first openly gay bar but it closed in 1975 when Ann's health forced her to retire. At the time of her death, she was survived by one brother, Joe Fellows of Byron, Georgia and three of her sisters, Sallie Cox and Sara Lucille Ashley of Macon, Georgia and Barbara Dennis of North Augusta, South Carolina. "Miss Ann" and her bar attained a degree of legendary status. She is remembered fondly by 24 years of patrons. The piano from her bar is displayed in the Georgia Music Hall of Fame in Macon.

bisher keine Antwort auf Mailanfrage Johnson vs. Howard

Groovy Little Suzie[Bearbeiten | Quelltext bearbeiten]

Johnny O'Keefe[Bearbeiten | Quelltext bearbeiten]

  • Vater Ray, Mutter Thelma. Saber Street, Bondi Junction. Bruder Barry 1933, Schwester Anne 1973. Mittelklasse.
  • Besuch des Waverly College
  • Radio dominante Form der Unterhaltung. -> Pop, Jazz, Klassik.
  • Erster Einfluss: Johnnie Ray, vor allem Cry. Imitator mit Brille samt Wasserschlauch zum Tränenpumpen.
  • Freundin Marianne Renate aus Deutschland
  • 1953 singt er für Jazzer und DJ Gus Merzi und dessen Orchester, Erweiterung des Rpertoires
  • Gesangsunterricht bei Eris O'Dell, da sein stimmliches Talent und seine Technik ausbaufähig. Gut aber sein Live-Einsatz.
  • Ron Brown übernimmt Management, Johnny lernt dort das Business. Brown verlässt Australien 1956 Richtung USA.
  • 1955 Blackboard Jungle im Kino mit Bill Haleys Rock Around the Clock. Leider kaum Musiker vorhanden, die Rock'n'Roll spielen konnten, daher weiter vor allem Johnnie-Ray-Imitationen
  • Ende 1955: Touren mit Jazzern Mel Thormé und Red Norvo

Lee Gordon[Bearbeiten | Quelltext bearbeiten]

  • Geboren in USA, dort Promoter von Konzerten Tommy Dorsey und Stan Kenton
  • September 1953 Ankunft aus Amerika als Flucht vor Rechtsstreit um dubiose Mail-Order-Geschäfte.
  • Aufbau eines Elektrik-Versandhandels mit innovativen Marketing-Konzepten -> Wohlstand
  • Bringt US-Größen nach Australien: Ella Fitzgerald, Buddy Rich, Artie Shaw, Johnnie Ray -> Werbung mittels Flugzeug-Abwurf "(zwei Karten für den Preis von einer")

She's Got It[Bearbeiten | Quelltext bearbeiten]

  • Gunnar Kinch (Schweden), 60s, Knock Out Rock
  • Q Rockers (Schweden), ?
  1. ↑ Referenzfehler: Ungültiges <ref>-Tag; kein Text angegeben für Einzelnachweis mit dem Namen colman.
  2. ↑ Referenzfehler: Ungültiges <ref>-Tag; kein Text angegeben für Einzelnachweis mit dem Namen vernon.
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